A production graph is too risky for raw access.
Artists needed a creative director agent inside a real production tool: one that can read a project, reason about it, and act on it. But a production graph is far too risky to expose as raw database or API access, and building your own chat harness means racing the labs at their own game forever.
- Tool bloat is real: past about 30 tools, tool-picking accuracy measurably degrades
- Full project payloads drown the reasoning budget in JSON
- Two agents, two trust levels: the engine agent builds it, the director agent operates it
A cockpit, not a control room.
The always-visible surface collapsed to nine tools: open a project, read state, run an action, start a job, check it. Underneath, an action registry: one typed action template instead of hundreds of bespoke tools, with rich schemas and examples discovered on demand instead of riding in context on every call.
- Nine constant tools while the registry grows underneath
- A local notebook in the workspace: read-only state, editable scripts and storyboards
- No engine code ever touches the artist's machine



